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  • On Pompeii

After Barnes gave an early version of the album to Ba Da Bing! Records label head Ben Goldberg, the newly christened band Beirut was signed to the New Jersey-based label and Condon moved from Albuquerque to Brooklyn, where he put together a floating collective of part-time bandmembers along the lines of Broken Social Scene for live performances.

Following the release of Gulag Orkestar in May 2006, critical approbation quickly moved from the smallest blogs to mainstream media outlets that pegged Condon as a one-man cross between Jeff Mangum, Conor Oberst, and Sufjan Stevens. The EP Lon Gisland followed in 2007, leading up to the full-length The Flying Club Cup later that year. In 2009 Condon released the double EP March of the Zapotec/Holland. The latter featured six electronic tracks recorded at home under the pseudonym Realpeople, while the former included six tracks recorded in Oaxaca, Mexico with the Jimenez Band, a 19-piece group from Teotitlán del Valle. 2011’s Rip Tide was recorded in Upstate New York during a cold winter, yet it still managed to retain the sunny, uplifting sound that is synonymous with the outfit. The first single, “East Harlem,” featured lush melodies that resonated with Condon's guised lyrics as well as an array of ukuleles, horns, and keys.

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